REVIEWS
CINDERELLA
"Britte Steele is comical as the man-hungry stepsister"
Floridatheateronstage.com
Bill Hirschman
"In addition to stunning lead performances, Radosh, Steele and Grace add whimsical comic relief...Steele offers some humorous disregard for the prince..."
Southfloridatheater.com
Dale King
Floridatheateronstage.com
Bill Hirschman
"In addition to stunning lead performances, Radosh, Steele and Grace add whimsical comic relief...Steele offers some humorous disregard for the prince..."
Southfloridatheater.com
Dale King
SWEENEY TODD
"Steele, who has worked locally somewhat as well as nationally, is the gift of the production. Without ever echoing the late Angela Lansbury or anyone else who has done the role, she soars as the chatty ebullient neighbor next door whose cross between amorality and practicality just happens to inspire her to boost business with Sweeney’s customers. Her hoydenish entrepreneur sashays the stage with a joy of being alive.
What is amazing is how smoothly and succinctly and hilariously she delivers Nellie Lovett’s rapid-fire songs like the “The Worst Pies in London” or her endearing dream of a better life with Todd in “By the Sea” in which she calls out “Yoo-hoo” in a way that is comical in itself. It should be noted that some productions allow Nellie to slow down the tempo a bit. Not here.
While the characters’ affection is solely one direction, the two actors join perfectly for the famed one-act closer “A Little Priest.”
Floridatheateronstage.com
Bill Hirschman
What is amazing is how smoothly and succinctly and hilariously she delivers Nellie Lovett’s rapid-fire songs like the “The Worst Pies in London” or her endearing dream of a better life with Todd in “By the Sea” in which she calls out “Yoo-hoo” in a way that is comical in itself. It should be noted that some productions allow Nellie to slow down the tempo a bit. Not here.
While the characters’ affection is solely one direction, the two actors join perfectly for the famed one-act closer “A Little Priest.”
Floridatheateronstage.com
Bill Hirschman
GYPSY
"Three tremendous singers laugh it up as a trio of strippers who use gimmicks to deliver the goods: Mallory Newbrough, Aaron Bower and Britte Steele. The latter duo showed their enviable vocal skills in Wick’s 2021 musical, Mamma Mia"
southfloridatheater.com
Dale King
southfloridatheater.com
Dale King
'Tis the Season
"The rousing Act One finale is “Shakin’ the Blues Away,” which also was a tap dance show-stopper in “Holiday Inn,” complete with rope jumping and tapping in milk pails. Janine (Britte Steele), the Evergreen Valley Inn's event coordinator, is a dead ringer for Louise, the spunky handywoman/farmhand/chief-cook-and-bottle-washer from the Holiday Inn- and wow can she pack a vocal punch! "
TheSandPaper.net
Rick Mellerup
TheSandPaper.net
Rick Mellerup
Singin' in the Rain
"This cast is amazing. From leads to ensemble each and every one of them was extremely impressive...and Britte Steele is exactly what you hope for as Dora Bailey"
The Theatre Guide Review
J. Eppelheimer
The Theatre Guide Review
J. Eppelheimer
Mamma Mia!
"Rosie Mulligan is a free-spirited Britte Steele, who is also touching in one of the show’s most poignant moments"
Theatrical Musings.com
Aaron Krause
" My attention never wavered from Rosie (Britte Steele), whose fun loving personality radiates from the stage. Her humor with both dialogue and physical comedy is top notch. In my opinion, Steele is a scene stealer and an audience favorite"
Daytonlocal.com
Mike Woody
42nd Street
"Britte Steele is the next best thing to Ethel Merman as songwriter Maggie Jones"
StageSceneLA
"And then there's voluptuously over-the-top scene-stealer Steele as comic relief Maggie Jones, who immediately becomes an audience favorite with her hammy perfection in every scene she's in (squint a little and you'll think you're witnessing the second coming of the great Ethel Merman in this terrific newcomer)"
Broadway World
Michael L. Quintos
"Brassy Britte Steele fronted the women…"
Portland Press Herald
"The... cast is wonderful, with Britte Steele's Maggie being the gal everyone loves"
HuffPost Entertainment
Charles Karel Bouley
"Britte Steele has the forceful stage presence of Ethel Merman"
Orange County Register
"With a voice like Broadway veteran the late Ethel Merman, Britte Steele belts out numbers such as “Shadow Waltz,” “Go Into Your Dance,” and “Shuffle Off to Buffalo.” The grit and growl that she puts into her songs provides the substance and humor that make Maggie a well-rounded Broadway matron who has seen it all, yet still has the gumption to get into the thick of things to pass along her hard-earned advice to the new chorus girls"
Triangle Arts and Entertainment
Dawn Reno Langley
"Britte Steele is the next best thing to Ethel Merman as songwriter Maggie Jones"
StageSceneLA
"And then there's voluptuously over-the-top scene-stealer Steele as comic relief Maggie Jones, who immediately becomes an audience favorite with her hammy perfection in every scene she's in (squint a little and you'll think you're witnessing the second coming of the great Ethel Merman in this terrific newcomer)"
Broadway World
Michael L. Quintos
"Brassy Britte Steele fronted the women…"
Portland Press Herald
"The... cast is wonderful, with Britte Steele's Maggie being the gal everyone loves"
HuffPost Entertainment
Charles Karel Bouley
"Britte Steele has the forceful stage presence of Ethel Merman"
Orange County Register
"With a voice like Broadway veteran the late Ethel Merman, Britte Steele belts out numbers such as “Shadow Waltz,” “Go Into Your Dance,” and “Shuffle Off to Buffalo.” The grit and growl that she puts into her songs provides the substance and humor that make Maggie a well-rounded Broadway matron who has seen it all, yet still has the gumption to get into the thick of things to pass along her hard-earned advice to the new chorus girls"
Triangle Arts and Entertainment
Dawn Reno Langley
9 to 5
"Britte Steele, once more playing a character who observes and keeps a list, may not be appreciated by Consolidated Companies’ everyday women, but she had the audience on her side with a word and a song (Heart to Hart).
The overly proficient Roz, right-hand “man” to the Big Guy, is a recognizable office type—a woman in love, in vain, with the boss. “I’m in love; I’m in heat,” this red hot mama sings and she—and the song—are showstoppers"
The Panhandle Post
Kate Kinnally
The overly proficient Roz, right-hand “man” to the Big Guy, is a recognizable office type—a woman in love, in vain, with the boss. “I’m in love; I’m in heat,” this red hot mama sings and she—and the song—are showstoppers"
The Panhandle Post
Kate Kinnally